Not so long ago, drawing became the new painting. From small-scale and intimate to wall-sized, highly-worked or resolutely low-fi; whatever its format, the re-appearance of a once side-lined medium marked a dramatic shift in its fortunes and indeed, assumptions about art in general.
But why the change? Was it that, in an art scene increasingly driven by fads, drawing became du jour simply because it hadn’t been for a very long time? Or were other, less obvious factors at work?
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There are many choices available today if you are a contemporary art collector. Whether online or offline, depending on your budget and preferences, there are a lot of places where you can buy contemporary art
If you are a serious contemporary art collector, pay a visit to your local fine art auction house. They usually have a schedule of the list of contemporary art to be auctioned on any day as well as some background information on the art pieces being auctioned.
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Burmese Contemporary Art – The History
Burma (Myanmar), a Southeast Asian country, has been isolated from the rest of the world since 1988, due to its non-democratic military dictatorship. Similar to its political and economic isolation, Contemporary Art in this region also does not have much western influence. Developing on its own terms, art in Burma reflects a fine balance between modernity and the country’s rich cultural heritage. The motifs and art theme in paintings are often related to the deep-rooted Marxist and Buddhist beliefs in the country. The difficult socio-political situation in the country also has a significant influence on its Contemporary Art.
Contemporary Art is not much experimental in Burma, with oil, poster color, crayons, and watercolor as the most popular mediums for paintings. A characteristic feature of art education in Burma is the system of apprenticeship, where-in students learn from their masters in workshops. The development in Contemporary Art is limited to the two major cities of Rangoon (Yangon) and Mandalay. The State School of Fine Arts opened in Yangon and Mandalay, in 1952. They are the first formal art schools of the country. The National Museum of Myanmar, established in 1952, was first platform for aspiring artists to display the nation’s art.
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