Experimental art forms are nothing new. Throughout the ages, anything that was introduced into society at that time was considered new and sometimes extraordinary, even offensive by a few. There always seems to be that critical minority that don’t want to jump on the bandwagon, that fail to see the importance of artistic development. Consider that, once upon a time, a decent woman did not gasp! pose nude for oil paintings or sculptures. Typically, nude paintings of women produced throughout the Renaissance era made use of prostitutes for models, since a self-respecting woman would never consider removing her clothing for such a vulgar display, a staggering irony considering that these originals are now valued in the millions of dollars.
Contemporary art, also known as modern art has long been a producer of such experimental and innovative displays. Names such as Van Gogh, Monet and Modigliani stand as a testament to the truly unique perspective in visual arts and what it means to both be an artist and to define art itself. That perhaps is the foundation of art. What defines art? By whose standards do we gauge a particular piece and declare it to be worthy of the name and worthy of a purchase for a private or public collection.
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Cornerhouse Art Centre, located in the heart of Manchester is an international centre for contemporary visual art. However, it is more than just a centre for art; it is a cinema, art gallery, bookshop, bar, cafe and a place for debate. Cornerhouse Art Centre can also be defined as the perfect setting to get away from it all.
Cornerhouse Art Centre was envisaged by the Greater Manchester Visual Arts Trust of which the members were aficionados of visual and performing arts and film. They firmly believed that Manchester was in need of a space for contemporary arts. Therefore, with the assistance of several local organisations the old furniture shop situated on Oxford Road was selected as the place to launch this mission.
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