Not so long ago, drawing became the new painting. From small-scale and intimate to wall-sized, highly-worked or resolutely low-fi; whatever its format, the re-appearance of a once side-lined medium marked a dramatic shift in its fortunes and indeed, assumptions about art in general.
But why the change? Was it that, in an art scene increasingly driven by fads, drawing became du jour simply because it hadn’t been for a very long time? Or were other, less obvious factors at work?
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Contemporary art has always been attracting the worldwide art lovers since many years and it have a significant place in the world of art. It doesn’t matter that the art work belongs to which region or country, but it attracts every eyeball. There is a tremendous growth in the Indian contemporary art and it has achieved the top position in the world contemporary art and it’s all because of the Indian artist’s innovative approach.
Although it may seem like a provocation, the contemporary Indian art is very old. It has about forty years and is still contemporary, though, of course, has been changing over the years. An unwritten history of Indian contemporary art pick up his powerful birth in the mid of sixties, and its classic moment during the seventies. The paradox is purely terminological, since here we use the term contemporary, not their sense of current, but in a generic sense that slowly is emerging among sociologists, historians and art theorists, but without there being less unanimity. The use of contemporary in the sense that it proposes seems to us a convenient and rigorous action to collect a wide variety of families and individuals. There is a big contribution from the Indian artists to grow the contemporary art in the past and present days.
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