In my point of view, contemporary art is absolutely present in contemporary households and can be recognized almost in every aspect of human life, since it has penetrated the way people communicate with each other more than ever before. Almost all-contemporary art forms have become the means through which personal interaction is described or the vehicle though which a specific message is accurately transmitted. Furthermore, increased attendance on art exhibitions, or substantial high levels of sales of various art forms, suggest that contemporary art is both publicly appreciated and highly understood.
Human creativity, along with the need of expressiveness, can be present to any contemporary creation that critics would define as an artistic attempt. As Picasso, the great Hispanic painter, has once pointed out, “art is something that makes people move towards a certain direction in life, or even conceptualize things from a different perspective, which they would have never consider before, if an artful creation had not revealed its mere existence.”
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Contemporary art has gained a lot of importance in modern households. It has become one of the most sought after household items and it has been recognized in every aspect of human life. Modern art is nowadays a tool for interpersonal communication and has far reaching effects. The increased number of persons visiting exhibitions and art galleries clearly signifies the rise in contemporary art importance. It is an indicator about the awareness of art amongst the people.
Large appreciation of masses and easy understandability are the main reasons of success of modern art. The accessibility of these arts are easy as it is released in numerous copies and forms like disks, e-books etc. Original paintings, which were hard to get in the old days, are now easy accessible through art galleries, which eventually increased the number of admirers of modern art.
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Burmese Contemporary Art – The History
Burma (Myanmar), a Southeast Asian country, has been isolated from the rest of the world since 1988, due to its non-democratic military dictatorship. Similar to its political and economic isolation, Contemporary Art in this region also does not have much western influence. Developing on its own terms, art in Burma reflects a fine balance between modernity and the country’s rich cultural heritage. The motifs and art theme in paintings are often related to the deep-rooted Marxist and Buddhist beliefs in the country. The difficult socio-political situation in the country also has a significant influence on its Contemporary Art.
Contemporary Art is not much experimental in Burma, with oil, poster color, crayons, and watercolor as the most popular mediums for paintings. A characteristic feature of art education in Burma is the system of apprenticeship, where-in students learn from their masters in workshops. The development in Contemporary Art is limited to the two major cities of Rangoon (Yangon) and Mandalay. The State School of Fine Arts opened in Yangon and Mandalay, in 1952. They are the first formal art schools of the country. The National Museum of Myanmar, established in 1952, was first platform for aspiring artists to display the nation’s art.
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